It’s not often you find theatre directors and writers describe their work as idiotic,...
As Feste, fool to the countess Olivia and fourth wall buster in chief of...
From director Kelly Ann Stewart, Park Theatre’s Gawain and the...
When you think of the theatre at Christmas, what comes to mind is...
Roka, the Japanese robatayaki...
Mauro Colagreco, chef of the...
Tucked away off Brick Lane lies The Rag Factory. It’s easy to walk past...
Son of a Gun depicts an Australia that isn’t only beaches and sunshine, but muddy,...
The UK’s top film critics named Boyhood as Film of the Year at...
Liam Hayes has always pulsed on the undercurrents of the Indie scene. That isn’t to...
Cinematic tradition dictates that dialogue-heavy narratives are always a risky endeavour. For...
There’s little to tie the four performances that make up 503Fusions together....
“London is a very strange place,” we are told in London Tales, “it’s a place...
Producer/director Tristan Loraine is on a mission to raise awareness of toxic air. This is...
The catastrophic production issues that have overshadowed the release of Paul Schrader’s...
By far the biggest music trend of 2014 was the “booty”. Beyonce, Nicki Minaj, J...
It’s not often you find theatre directors and writers describe their work as idiotic, but that’s exactly what Cole Escola and Sam Pinkleton do in the programme for their Tony-award winning play Oh, Mary! Portraying the farcically fictional story of First Lady Mary Todd, wife of the 16th President of the United...





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