As Feste, fool to the countess Olivia and fourth wall buster in chief of...
From director Kelly Ann Stewart, Park Theatre’s Gawain and the...
When you think of the theatre at Christmas, what comes to mind is...
Mischief Theatre and their Cornley Drama Society alter-egos are...
Moor Hall, the three Michelin-starred...
On 13th December, London-based eatery...
Swedish folk duo First Aid Kit are back with their striking new album Stay Gold;...
Entering the stage at Corsica Studios, the Cornwall sisters could easily pass for...
The work on show from the 2014 graduates of the Schools of...
Richard Eyre’s adaptation of Henrik Ibsen’s Ghosts is the third play...
Those of you who were angsty teenagers in the late noughties may well recall...
“Denmark’s a prison” says Hamlet. Director Zoe Ford...
Set in the heart of white-stucco neighbourhood Maida Vale, The Truscott Arms...
To celebrate its release, American singer-songwriter Lana Del...
This is not just another indie band. Rough Trade West is an unlikely place for...
Half a century after The Shining was published, it’s time to find out what happened...
As Feste, fool to the countess Olivia and fourth wall buster in chief of Shakespeare’s immortal farce of identity confusion, Michael Grady-Hall enters in about as extravagant a fashion as one would wish. A cable-bound crooner in a shock of pale face paint, Hall is suspended far above the stage to deliver...





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