As Feste, fool to the countess Olivia and fourth wall buster in chief of...
From director Kelly Ann Stewart, Park Theatre’s Gawain and the...
When you think of the theatre at Christmas, what comes to mind is...
Mischief Theatre and their Cornley Drama Society alter-egos are...
Moor Hall, the three Michelin-starred...
On 13th December, London-based eatery...
Pizza Rossa is the hot new pizza joint that’s set to feed our hungry city...
A new documentary about the dangerous and daring sport of road racing, Road centres around...
“They fuck you up your mum and dad/They might not mean to, but they...
Poor Robert the barman just wants to watch Poland, his home country, beat Northern...
While Marina Abramović is busy with one of her long durational...
The understanding that abstract painting has...
Choreographer Derek Deane has triumphed with this ballet version of...
In sunny Notting Hill the castle-like Tabernacle lies in a back yard, hidden behind...
When Marina Abramović performed her now-legendary...
As Feste, fool to the countess Olivia and fourth wall buster in chief of Shakespeare’s immortal farce of identity confusion, Michael Grady-Hall enters in about as extravagant a fashion as one would wish. A cable-bound crooner in a shock of pale face paint, Hall is suspended far above the stage to deliver...





Facebook
Twitter
Instagram
YouTube
RSS