Matthew Dunster’s Much Ado About Nothing begins with a cloud...
Experimental theatre comes with a heavy bag of risk that can either turn into magic...
Oliver Cotton’s new play offers an evening of sparkling debate with a gritty...
Katherine Nesbitt is a director originally from Belfast. She studied in...
July’s a pretty savvy time to revive Enda Walsh’s Disco Pigs. The...
The world premiere of Twilight Song, Kevin Elyot’s final play, sounded out like...
It’s rare that a play turns into an olfactory experience. Yet in an...
On the surface, it appears that Vivienne Franzmann’s Bodies is going to...
You know Delilah. Or your sister is a bit like her. Or your friend, the...
Matthew Dunster’s adaptation of Charles...
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