Rather than trying to recreate Godard’s anarchic style, Richard Linklater...

At Cannes’ 2022 edition, Chie Hayakawa’s Plan 75 won a Special Mention for the...

Juno Mak’s Sons of the Neon Night is a paradox of a film –...

For anyone who has had a prior brush with improvised theatre,...

Harris Dickinson made his Cannes debut three years ago as the lead in Ruben...

There’s a primal tension in Wild Foxes (La danse des renards), Valéry...

Fatima (Nadia Melliti) is the youngest of three daughters in an Algerian...

By all accounts, The Plague could have been another moody coming-of-age tale...

Kristen Stewart’s first foray into directing is undoubtedly...

Bono: Stories of Surrender paints a strikingly intimate portrait...

From its thunderous opening number, The Wave (La ola) makes no attempt to ease the...

With Eddington, the first nameable title premieres in competition at the Cannes...

Stéphane Demoustier’s The Great Arch is, on the surface, a film about the...

London in the 90s is the backdrop for Sophia Leonie’s debut play,...

For anyone who has been to one of Arcade Fire’s shows, their concerts are...

In Dalloway, Yann Gozlan paints a cold, unsettling portrait of a near future where...

Marking a clear break from the swagger of his Måneskin days (not...

In his contender for the Palme d’Or, Spanish director Oliver Laxe takes us to the...

Inspired by stories from her family’s history, director Louise Hémon...

The intersection of eCommerce and VIN technology has...

After 2022’s The Night of the 12th, Cannes is once again graced with a crime...

Kei Ishikawa’s adaptation of Kazuo Ishiguro’s debut novel drifts...

Terence Rattigan’s The Deep Blue Sea exhales despair like slow...

Opening with a failed armed assault by a group of young activists on a...