Under the guise of attending an international football match, Aleksei (Franz...

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In long takes and mostly wide shots, the camera adheres to the contrariness of the...

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Dylan, the young indie-pop musician hailing from Suffolk, returned to the...

So many films are too aware of their own...

How to sum up acclaimed Portuguese director João Canijo’s latest...

Playwright Gary Owen’s previous works, such as Iphegenia in Splott...

Horror is a genre that invites harsh and fairly definitive (if subjective)...

First things first: Beth Bowden, like the other women in her family, is an indomitable...

Wigan’s The Lathums have proven themselves to be a breath...

It’s difficult to imagine the sort of people who might happily sit down to...

2022’s Berlinale featured the Chinese film Return to Dust, approved and...

Not only is Israeli film director Guy Nattiv a regular at the Berlinale, his work...

For restaurant obsessives and fine diners, securing a place at a chef’s...

It speaks to the immense quality of Past Lives that, despite premiering at...

The unconventional structure of...

If motion pictures were critiqued based on their first half alone, this one would have...

Soho Place’s new production of Medea, adapted from Euripides’s original by Robinson...

Completed when the artist was 80, Alice Neel’s...

The past ten years have witnessed a lot of positive alterations in the gaming industry....