Cannes
Fuori
There’s a stillness to Fuori that catches you off guard. Inspired by the life of Italian author Goliarda…
By Christina Yangcannes film festival
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Cannes
Love Me Tender
Adapted from Constance Debré’s novel of the same name, Anna Cazenave Cambet’s second feature follows Clémence (Vicky Krieps),…
By Christina Yang
Cannes
It Was Just an Accident
Travelling down a dark road, a family’s elated mood on their drive home is quickly shattered when the…
By Selina Sondermann
Cannes
Eleanor the Great
Scarlett Johansson’s Eleanor the Great opens with the kind of friendship rarely given centre stage in cinema –…
By Christina Yang
Cannes
Highest 2 Lowest
Directed with his characteristic verve and defiance, Spike Lee’s Highest 2 Lowest begins as a crime thriller, only…
By Christina Yang
Cannes
Alpha
Four years after Spike Lee awarded Julia Ducournau the Palme d’Or for Titane, both directors return to Cannes…
By Selina Sondermann
Cannes
Exit 8
On a Japanese underground train, a young man (Kazunari Ninomiya) notices another passenger shouting at a mother with…
By Selina Sondermann
Cannes
Lucky Lu
In Lucky Lu, Lloyd Lee Choi expands his 2022 short Same Old into a bruising feature debut. Set…
By Christina Yang
Cannes
The Richest Woman in the World
There’s a bitter irony in Thierry Klifa’s The Richest Woman in the World (La femme la plus riche…
By Christina Yang
Cannes
The Phoenician Scheme
Wes Anderson’s The Phoenician Scheme is an opulent, sprawling fever dream of monstrous capitalists, fractured families and pastel-coloured…
By Christina Yang