Cannes
Wild Foxes
There’s a primal tension in Wild Foxes (La danse des renards), Valéry Carnoy’s close-quartered feature debut, which follows…
By Christina Yangcannes film festival
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Cannes
The Little Sister
Fatima (Nadia Melliti) is the youngest of three daughters in an Algerian family living in France. She knows…
By Selina Sondermann
Cannes
The Plague
By all accounts, The Plague could have been another moody coming-of-age tale cloaked in indie thriller aesthetics. But…
By Christina Yang
Cannes
The Chronology of Water
Kristen Stewart’s first foray into directing is undoubtedly ambitious. The Chronology of Water, adapted from Lidia Yuknavitch’s raw,…
By Christina Yang
Cannes
Bono: Stories of Surrender
Bono: Stories of Surrender paints a strikingly intimate portrait of the U2 frontman, presented not as a conventional…
By Christina Yang
Cannes
The Wave
From its thunderous opening number, The Wave (La ola) makes no attempt to ease the viewer in gently.…
By Christina Yang
Cannes
Eddington
With Eddington, the first nameable title premieres in competition at the Cannes Film Festival: A24 wunderkind Ari Aster’s…
By Selina Sondermann
Cannes
The Great Arch
Stéphane Demoustier’s The Great Arch is, on the surface, a film about the making of the eponymous building…
By Christina Yang
Cannes
Dalloway
In Dalloway, Yann Gozlan paints a cold, unsettling portrait of a near future where human creativity and algorithmic…
By Christina Yang
Cannes
Sirât
In his contender for the Palme d’Or, Spanish director Oliver Laxe takes us to the Moroccan desert, even…
By Selina Sondermann