Love’s Labour’s Lost and Much Ado About Nothing at Theatre Royal Haymarket
Best known for his tragedies, and plays heavy with romance, murder and politics, it’s perhaps easy to forget…
By Sarah BradburyBest known for his tragedies, and plays heavy with romance, murder and politics, it’s perhaps easy to forget…
By Sarah BradburyThe Almeida’s boy wonder has done it again. This time it’s the turn of Friedrich Schiller's Mary Stuart…
By Connor CampbellThis latest tour of Jonathan Larson’s Rent is billed not only as a celebration of the 20th anniversary of…
By Stuart McMillanThings have completely changed for Disney since the acquisition of Marvel (2009) and Lucasfilm (2012), turning the media…
By Filippo L'AstorinaThe problem with electronic music is it doesn’t always lend itself well to big stages – born and…
By Sarah BradburyThe subject of the latest exhibition at the National Gallery comes as a bit of a surprise. The…
By Anna SouterRichard Ashcroft is the man of the comebacks. He came back as a singer-songwriter in 2006, with Break…
By Filippo L'AstorinaIt’s not often that concert-goers can experience a song with 500 million YouTube views in a venue with…
By Lucas CumiskeyPete Doherty turned the Kentish Town Forum inside out last night, backed by his latest band the Puta…
By Jennifer SaninYou would probably expect more of a grand entrance from a Mercury Prize and BRIT Awards nominated, chart-topping,…
By Mark Mukasa