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LFF
“When we talk about wounds in our history, the trauma has to be revised over and over so that we can overcome it”: Manuela Martelli on political thriller 1976
Matthew McMillan
7th November 2022
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Cinema & Tv
“The franchise lives on because people love music and they love to dance”: Christina Milian and Holly Sorensen on Step Up season three
Sarah Bradbury
7th November 2022
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Cinema & Tv
“Haiti’s story is always told by the West – we wanted to reverse the narrative”: Eddie Hutton-Mills on Kanaval: A People’s History of Haiti in Six Chapters
Sarah Bradbury
7th November 2022
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Cinema & Tv
“We think and dream together, our collaboration is synergistic”: Saul Williams and Anisia Uzeyman on Neptune Frost
Sarah Bradbury
5th November 2022
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Cinema & Tv
“It talks about the glory of cinema and mortality – but audiences can also have a real laugh watching it”: Kim Hopkins and the Bradford Movie Makers on A Bunch of Amateurs
Sarah Bradbury
5th November 2022
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Cinema & Tv
The Bastard Son and the Devil Himself: Interviews with Jay Lycurgo, Emilien Vekemans, Isobel Jesper Jones and Nadia Parkes
Sarah Bradbury
4th November 2022
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LFF
“Empathy is about the best tool to help shift opinions”: Director Phyllis Nagy on Call Jane
Matthew McMillan
1st November 2022
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Cinema & Tv
“In this business, the better the script is, the harder it is to get it made”: Thomas Jane on Troppo
Sarah Bradbury
1st November 2022
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Cinema & Tv
“At a certain point there’s enough stuff in your notes you start to feel it wants to be a story”: Fridtjof Ryder and Rory Alexander on Inland
Mae Trumata
1st November 2022
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Theatre
“Being a playwright is the best job in the world in my opinion”: Writer Nathan Ellis on Super High Resolution
Jonathan Marshall
26th October 2022
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