Tonight the O2 submerged beneath the waves of electric blue and hot pink neon followed...
Cordelia O’Neill’s second play No Place for a Woman centres on the...
What was that “politics or theatre?” asks Ahmed. In a...
Pulling back the curtain has become a popular idiom thanks to the pop culture...
A peculiarly mesmerising jaunt through 24 hours of life in London’s Soho, Abigail...
Famed for bridging the gap between would-be art collectors and the...
Tucked in a corner of Tottenham Court Road, country music patrons peacocked their...
Adapted from the book of the same name, Voices from...
Fans of Roald Dahl’s novel will be delighted by this hysterical,...
Yael Farber certainly knows how to make the most of the Olivier. Just as she...
As Feste, fool to the countess Olivia and fourth wall buster in chief of Shakespeare’s immortal farce of identity confusion, Michael Grady-Hall enters in about as extravagant a fashion as one would wish. A cable-bound crooner in a shock of pale face paint, Hall is suspended far above the stage to deliver...
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