Film festivals Tribeca Film Festival

The Show of Shows

Tribeca Film Festival 2016: The Show of Shows | Review

The history of lost art is always intriguing: what once fascinated audiences and subsequently caused the loss of interest? The circus sure isn’t dead, but popularity has increasingly waned in the digital age. Luckily, for interested parties, a large amount of celluloid was spent documenting “the greatest show on earth”.  The Show of Shows, through a variety of footage, highlights these captured moments.

The film opens with clowns getting into costume, trucks being unloaded, and construction of the famous Big Top. Soon, amid a seated audience, the ringmaster opens the show. A procession of death-defying acrobatics, animals and unfathomable feats follow, with clown-led intermissions too, all to the pounding beat of an ambient soundtrack by members of Sigur Rós in collaboration with Hilmar Örn Hilmarsson.

A description of The Show of Shows might risk attracting only aficionados and circus historians, but in fact the curated footage, sourced from the UK to Iceland to the US, is almost as fun as seeing a live circus performance. On a deeper level, the expanse of time featured shows an evolution of entertainment as well as societal awareness. Audiences can appreciate the primitive appeal to an outdated act, yet still see why some aspects are now prohibited.

The Show of Shows displays the capacity of purposeful editing to revive the past. Imagination and technology transforms reels of footage into a documentary about an artform of yore; the ambient pump of synth and strings offer reassurance to skeptical viewers, too. A must-see.

Daniel Engelke

The Show of Shows does not have a UK release date yet.

Read more of our reviews and interviews from the festival here.

For further information about Tribeca Film Festival 2016 visit here.

Watch the trailer for The Show of Shows here:

More in Film festivals

Mare’s Nest

Andrew Murray

Venice Film Festival reveals 82nd edition lineup: Guadagnino, Del Toro, Van Sant, Bigelow, Lanthimos, Baumbach at the Lido

The editorial unit

Karlovy Vary International Film Festival: Dragonfly

Christina Yang

Paolo Sorrentino’s La Grazia to open Venice Film Festival 2025

The editorial unit

Raindance Film Festival 2025: Heavyweight

Andrew Murray

“The topic might seem heavy, but the story has humour and light in it”: Zuzana Kirchnerová on Caravan at Cannes Film Festival 2025

Christina Yang

“We started this film from the very first hours of the full-scale invasion”: Alina Gorlova, Simon Mozgovyi and Yelizaveta Smith Militantropos at Cannes Film Festival 2025

Christina Yang

“We see Goliarda Sapienza with her literary creature”: Mario Martone on Fuori at Cannes Film Festival 2025

Christina Yang

The Mastermind

Selina Sondermann