Culture Interviews Cinema & Tv

Beatriz at Dinner premiere with Salma Hayek and Mike White

Beatriz at Dinner premiere with Salma Hayek and Mike White
Avatar photo
Avatar
Shot by Filippo L'Astorina
Alexander Corona Shot by Filippo L'Astorina

Beatriz at Dinner is the politically charged social date with its eyes set firmly on a certain presidential figure. Written by Mike White and directed by Miguel Arteta, it tells the story of Beatriz (Salma Hayek), a holistic healer from a poor town in Mexico, who ends up invited to a social dinner with her clients, along with cutthroat billionaire Doug Strutt (John Lithgow). After being confused for a servant rather than a dinner guest, the collision of their opposite worlds begins, setting the tone for an evening better described as an ideological cage fight.

We caught up with Mike White on the Sundance London 2017 red carpet, on where his inspiration for the script came from, and if he sees any plans for a School of Rock sequel.

We spoke to Salma Hayek on what it was like working with Miguel Arteta and why she thinks a political film like Beatriz at Dinner is so important.

Finally, we also had a chat with the directo himself and talked with him on where his motivations came from and what he thought of Trump’s presidency so far.

Alex Corona
Videos: Filippo L’Astorina

Read our review of Beatriz at Dinner here.

More in Cinema & Tv

Tinsel Town: Robbie Williams, Alice Eve, Ray Fearon, Katherine Ryan, Rebel Wilson, Matilda Firth and Ava Aashna Chopra at the London premiere

Sarah Bradbury

Stranger Things season five, volume one

Andrew Murray

Nicole Kidman and Jamie Lee Curtis bring Patricia Cornwell’s forensic icon to life in Prime Video’s Scarpetta

The editorial unit

Sean Combs: The Reckoning – Explosive four-part documentary lands on Netflix this December

The editorial unit

Kristen Stewart steps behind the camera for powerful debut The Chronology of Water, in cinemas February 2026

The editorial unit

Joanna Lumley, Richard Curtis and Beatles family attend exclusive screening of The Beatles Anthology at BFI Southbank

The editorial unit

“I just find it mad, but also incredibly exciting”: Ellis Howard on BAFTA Breakthrough

Sarah Bradbury

Power, paranoia and deepfakes: Holliday Grainger returns in first look at The Capture series thre

The editorial unit

Nia DaCosta directs 28 Years Later: The Bone Temple, a brutal evolution of the horror series

The editorial unit