The Yeomen of the Guard at the London Coliseum
A delightfully bright, allegro adaptation of Gilbert and Sullivan’s The Yeomen of the Guard by the English National Opera takes over the London Coliseum for 14 performances this winter. Already refreshingly entertaining, the operetta set within the Tower of London assumes a contemporary look from the 50s – complete with the now nostalgic yeomen’s tabards bearing the EIIR initials – and a peppy pace.
Colonel Fairfax (Anthony Gregory) is a prisoner in the tower, about to be executed for treason. Defending his innocence and endearingly in love with him, Phoebe Meryll (Heather Lowe) plots with her father, Sergeant Meryll (Neal Davies), and her brother, Leonard Meryll (Innocent Masuku), to set Fairfax free. In the meantime, the latter has requested to be married promptly, finding a willing soon-to-be widow in street performer Elsie Maynard (Alexandra Oomens). Will either or both of the schemes end well?
The light is among the first elements that catch the eye here. Whether coming through the prison bars or softly hitting the stage as a natural-looking daylight, the lighting design is coordinated to add a fairytale touch without any fakery.
The action on stage runs smoothly, with fun sequences and enjoyable acting throughout. The production absorbs some of the comedic tone in some outstanding vocal performances. This is an operetta made accessible and engaging for everyone. Not only is the libretto masterfully executed, it is more than a modernisation, embracing an affable approach. And let’s not forget that the chorus finale: neither full tragedy, nor a fabled rosy ending, which makes the whole feel closer and more realistic.
Gregory brings an unusual energy as the prisoner, who looks positively at his personal domesday and maintains a buoyant mood for the second act. Lowe’s Phoebe and John Molloy as gaoler Wilfred Shadbolt provide some of the most humorous moments, which revolve around errors and exquisitely crafted deception. The tap dancing Coldstream Guards are a fine addition to the cast, and the orchestra, led by conductor Chris Hopkins, deliver the score beautifully, creating a pleasant chamber music feel in the theatre.
The juxtaposition of officers and guards crowding the Tower of London with scenes of the lonelier characters helps set the atmosphere inside the building – though with a curious rather than grim gaze.
Cristiana Ferrauti
Photo: Tristram Kenton
The Yeomen of the Guard is at the London Coliseum from 3rd November until 2nd December 2022. For further information or to book visit the theatre’s website here.
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