Culture Interviews Cinema & Tv

“I knew that working with Adam and Jennifer was going to be fun”: Jeremy Garelick on Murder Mystery 2

“I knew that working with Adam and Jennifer was going to be fun”: Jeremy Garelick on Murder Mystery 2
“I knew that working with Adam and Jennifer was going to be fun”: Jeremy Garelick on Murder Mystery 2

Murder Mystery 2 returns Netflix audiences to the exploits of married cop/hairdresser-turned-detective duo Nick and Audrey Spitz, starring the dynamite pairing of two of the screen’s best-loved comedy stars, Adam Sandler and Jennifer Aniston, with a brilliantly broad ensemble cast featuring Mark Strong, Melanie Laurent, Jodie Turner-Smith and Adeel Akhtar. If you loved the easygoing charm of Just Go with It, the tone of Game Night, the playful Agatha Christie-style mystery of Knives Out and recently had fun with JLo and Josh Duhamel in Shotgun Wedding, then this is a must-watch. Though it comes in the package of a comedy-drama, the action set pieces are impressively legit, while the cross-cultural aspects of the opening scenes of the maharajah’s wedding are beautifully captured, with stunning dance sequences and handmade Indian costumes.

The Upcoming had the pleasure of speaking with Jeremy Garelick (whose talent for wit was self-evident in The Break-Up, which he co-wrote with star Vince Vaughn) about why he wanted to take up directing duties on the sequel, why he loves working with Sandler and Aniston so much and how he pulled off the action set pieces and dance sequences in the film.

Sarah Bradbury

Murder Mystery 2 is released on Netflix on 31st March 2023.

Watch the trailer for Murder Mystery 2 here:

More in Cinema & Tv

Tom Holland faces an unseen new threat in Spider-Man: Brand New Day trailer

The editorial unit

Ian McKellen and Michaela Coel lead Steven Soderbergh’s The Christophers to digital release this July

The editorial unit

Peter Serafinowicz and William Abadie join crime drama Hit Point in new images

The editorial unit

Rise of the Footsoldier: Retribution lands Edinburgh Film Festival premiere ahead of cinema release

The editorial unit

Aaron Sorkin returns to the world of Facebook in first look at The Social Reckoning

The editorial unit

The Sopranos complete series arrives on 4K Ultra HD for the first time

The editorial unit

“I liked that she’s the bad guy”: Margaret Qualley on How to Make a Killing

The editorial unit

“It’s all about power, wealth and doing whatever you have to do”: Ed Harris on How to Make a Killing

The editorial unit

How to Make a Killing

Selina Sondermann