A Very Expensive Poison at the Old Vic
Alexander Litvinenko. A man whose name you almost definitely know, a life you probably don't. Adapting Luke Harding's…
By Connor CampbellAlexander Litvinenko. A man whose name you almost definitely know, a life you probably don't. Adapting Luke Harding's…
By Connor CampbellTim Crouch’s Total Immediate Collective Imminent Terrestrial Salvation feels a bit like being back at primary school. Everyone's…
By Connor CampbellMuch will be made of the topicality of Hansard. On the surface, it seems like a choice bit…
By Connor CampbellNow that the Edinburgh Fringe is over and done with, London’s theatre scene suddenly feels a lot busier…
By Connor CampbellIt feels right that the Sydney Theatre Company's staging of Kate Grenville's The Secret River has made its…
By Connor CampbellDeer skulls and stuffed birds. Stocky TVs. An open box of Fruit Loops. Armoires, cluttered tables, filthy frames.…
By Connor CampbellA 14-year-old girl is dying. Her parents, absent, send their Catholic priest to perform the last rites. The…
By Connor CampbellReviewing a show like Mr Gum and the Dancing Bear without actually having a kid is a bit…
By Connor CampbellIt might feel like the entirety of London decamps to Edinburgh in August, but the capital still has…
By Connor CampbellWelcome to RuPaul's Back To The Future Race. A time-travel-cum-ghost story, Max Vernon's The View UpStairs is a…
By Connor Campbell