Chief Theatre Critic
With a Masters in English from the University of Southampton, Connor high-tailed it to London with aspirations of greatness. Instead he became a financial analyst, posting the odd book or theatre review to try and fill the void. Follow him on Twitter @ConnorJCamp and on Instagram @foxybox91.
With the world shut down for the foreseeable future,...
“It’s your fault. All of it.” Following the...
There is a certain quality to Shoe Lady – be it the episodic narrative,...
When used right, it’s hard to beat the Orange Tree Theatre for...
Perhaps the most prominent aspect of Polly Findlay’s production of A...
A lonely, always-online nerd gets taken in by a misogynist pick-up artist in...
The year is 2000. Pre-9/11. Before the war on terror or the conflict in Syria....
It’s 1918. Nora (Amaka Okafor) lives with her husband Thomas...
There’s a superb solo performance in London theatreland. And no,...
Michael’s dad is dead. Beloved flower seller. Leyton Orient...
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