The Independent The Independent follows Elisha “Eli” James (Jodie Turner-Smith), a headstrong reporter...
Umar Ali 24th February 2023
Suzume It’s almost inevitable (in the English-speaking world anyway) that any animated...
Oliver Johnston 23rd February 2023
The editorial unit 23rd February 2023
Limbo Maybe Australians have a casual relationship with the English language, but surely the...
Oliver Johnston 23rd February 2023
Ezelle Alblas 23rd February 2023
Disco Boy Under the guise of attending an international football match, Aleksei (Franz...
Selina Sondermann 23rd February 2023
Will Snell 23rd February 2023
The editorial unit 23rd February 2023
#Manhole A particularly welcome surprise at this year’s Berlinale is its embracing of...
Selina Sondermann 23rd February 2023
Music In long takes and mostly wide shots, the camera adheres to the contrariness of the...
Selina Sondermann 23rd February 2023
Michael Bennett 23rd February 2023
Emily Downie 23rd February 2023
Oliver Johnston 23rd February 2023
Oliver Johnston 22nd February 2023
Viola Pellegrini 22nd February 2023
Infinity Pool Horror is a genre that invites harsh and fairly definitive (if subjective)...
Oliver Johnston 22nd February 2023
Right of Way First things first: Beth Bowden, like the other women in her family, is an indomitable...
Benedetta Mancusi 22nd February 2023
Christopher Connor 22nd February 2023
Allensworth It’s difficult to imagine the sort of people who might happily sit down to...
Oliver Johnston 22nd February 2023
Xue Yun (Absence) 2022’s Berlinale featured the Chinese film Return to Dust, approved and...
Oliver Johnston 22nd February 2023
Golda Not only is Israeli film director Guy Nattiv a regular at the Berlinale, his work...
Selina Sondermann 22nd February 2023
The editorial unit 22nd February 2023
Past Lives It speaks to the immense quality of Past Lives that, despite premiering at...
Selina Sondermann 22nd February 2023
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