Interviews

Rob Auton swerves between jaunty stand-up and existential spoken word...

The timeless charm of the 2001 film Amélie gave it instant...

As its title might suggest, Does My Bomb Look Big in This? is a...

For whatever reason, London’s theatres have managed to put...

In 2019 it maybe takes a certain level of adjustment to watch...

Award-winning theatre ensemble The Faction are known for...

“At the still point of the turning world. Neither flesh nor fleshless;...

If you thought the cold and calculated world of finance was miles away...

From Step Up to Save the Last Dance, the...

Family matters can take up a lot of room. For the Bakares, the material occupation...

The team behind ANNA is keen to make reviewing the play tricky, urging the...

Portraying two highly complex characters in a moment of intense...

Following a successful 2015 run, verismo opera Andrea Chénier makes...

Yvette is a one-woman show written and performed by Urielle Klein-Mekongo, concerning...

It seems in recent years theatres have become accustomed to housing comedy...

Benjamin Button is born an old man, trapped in a...

Scripts for Supper blend the theatrical and...

Brilliant. Just brilliant. This utterly indescribable new musical,...

Britain has a very unhealthy relationship with history. Opting for a...

UCL’s Man & God is a new musical by composer Jake Dorfman and writer...

Director Andrew Norris’s love letter to the relentless optimism and...

At its essence, the aim of skin bleaching creams is whiteness. Or, at...

Deconstructing the Dream is the sixth entry in the culture...