Berlinale
Diary of a Chambermaid: An interview with Lea Seydoux and Benoit Jacquot
Diary of a Chambermaid premiered at the Berlin Film Festival 2015 (review), here's an interview with star Lea…
By The editorial unitInterviews
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New York City
A Man of No Importance: An interview with co-star Dylan Landau
Dylan Landau is a senior in the Program in Vocal Performance at NYU Steinhardt School’s Department of Music…
By Mariana Howard
Theatre
Othello: An Interview with Frantic Assembly’s Scott Graham
Scott Graham, co-founder and Artistic Director of Frantic Assembly, first brought his reimagining of Othello to the stage…
By Laura Foulger
Theatre
Lippy: An interview with Bush Moukarzel
Bush Moukarzel is artistic director, actor and playwright for theatre company Dead Centre. We caught up with him…
By Laura Foulger
New York City
A conversation with Until the Ribbon Breaks at Rough Trade NYC
Originally scheduled for a show on January 28th 2015, multi-talented British band Until the Ribbon Breaks weathered the snowpocalypse…
By Patricia Dale Lidis
Cinema & TV
Selma premiere: A chat with the director and cast on the red carpet in London
Selma is the Oscar-nominated biopic of pivotal civil rights leader Martin Luther King. Charting the 1967 march through…
By Tina Squatley-Thrust
Cinema & TV
Testament of Youth premiere: A chat with the cast and crew on the red carpet in London
“If the war spares me,” wrote Vera Brittain to her brother Edward in 1916, “it will be my…
By Naomi Joseph
Cinema & TV
Interview: Agyness Deyn on new movie Electricity
Electricity is actress Agyness Deyn's third feature film, due to be released on 12th December. Based on the…
By Friederike Trumpa
Theatre
The modern inferno: An interview with Craft Theatre director Rocky Rodriguez Jr
Craft Theatre's Dante's Inferno: A Modern Telling kicks off at The Rag Factory in east London in January.…
By Stuart BoylandCinema & TV
Horns premiere: A chat with Daniel Radcliffe and Juno Temple on the red carpet
Daniel Radcliffe is no stranger to London film premieres. This time it’s the opening of Horns that brings…
By Stuart Boyland