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United States of Love
Tomas Wasilewski’s United States of Love evokes an earnest sense of despair in its portrayal of love, showing…
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I, Olga
Audiences are unlikely to know the story of Olga Hepnarová, the last woman to ever be given the…
By Tess Colley
Movie
The New Man
Anyone could be forgiven for first believing this film is merely a stylised fictional drama, with a script…
By Sarah Sutton
Movie
We Are the Flesh
Emiliano Rocha Minter’s We Are the Flesh is strange, inventive and perverse, introducing a new kind of experimental…
By Isabelle Milton
Movie
Panic
The greatest of thrillers are those that convey sheer terror without actually showing anything particularly terrifying on screen.…
By The editorial unit
Movie
Indignation
Adapted from Philip Roth’s book of the same title, Indignation tells the story of Marcus Messner (Logan Lerman),…
By Tess Colley
Movie
Francofonia
Russian filmmaker Alexander Sokurov brings an engaging exploration of art and history to the screen with his latest…
By Joanna Blyth
Movie
American Pastoral
When it comes to adapting great works of literature for the screen, it’s almost always a mistake to…
By Sam Gray
Movie
Dog Eat Dog
There’s a boisterous, gory charm to Paul Schrader’s film that conceals a rather thoughtful subtext. Based on the novel…
By Alexander Bawden
Movie
The Innocents
World War Two may have ended on September 1945, but for many of its survivors, this was only…
By Sam Gray