LFF
Bunker
Florian Zeller gave his audience an extraordinary glimpse into life with dementia in his feature debut, The Father,…
By Selina SondermannLondon
Latest
LFF
I Love Boosters: On the red carpet with Boots Riley and Akinola Davies Jr at London Film Festival 2026
Written and directed by Boots Riley, I Love Boosters is a crime-comedy feature that follows a group of…
By Ezelle Alblas
LFF
In the Shadows
In the Shadows, by director Anthony Wonke and executive produced by the film’s inspiration Ramla Ali, is a…
By Ronan Fawsitt
LFF
Nightborn (Yön Lapsi)
Picking up where last year’s Berlinale left off (Welcome Home, Baby; Mother’s Baby), Nightborn is another entry in…
By Selina Sondermann
LFF
Iván & Hadoum
In recent years, queer cinema has been in pretty good shape. Nowadays, filmmakers from all around the world…
By Jan Tracz
LFF
Paper Tiger
Paper Tiger opens with a standard crime thriller set-up: two brothers, one reckless and one cautious, edging toward…
By Christina Yang
LFF
Wild Horse Nine
Martin McDonagh’s latest film is titled Wild Horse Nine, possibly because the more apt They Shoot Horses, Don’t…
By Selina Sondermann
LFF
Wicker
Any heterosexual single woman has a horror story or two about the modern dating market. But the pre-industrial…
By Selina Sondermann
LFF
Queer Edward II
In 1991, filmmaker Derek Jarman shot a radical film adaptation of Christopher Marlowe’s play Edward II, connecting its…
By Selina Sondermann
LFF
Gentle Monster
When films deal with abusive or predatory men, the focus usually settles on revelation, guilt or punishment. The…
By Christina Yang