LFF
The Black Ball
Like its fellow Spanish entries in the Cannes competition Bitter Christmas and The Beloved – as well as…
By Selina SondermannLondon
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LFF
Elsinore
Meta might not be the right expression, but there is a nice synchronicity to the fact that the…
By Selina Sondermann
LFF
Musk
Alex Gibney is widely considered one of the most important documentarians of his time, with his past work…
By Selina Sondermann
LFF
All of a Sudden
Adapted from You and I – The Illness Suddenly Get Worse by Makiko Miyano and Maho Isono, Hamaguchi…
By Christina Yang
LFF
A Man of His Time
Emmanuelle Marre's A Man of His Time opens in September 1940 at a drunken gathering of French collaborators,…
By Christina Yang
LFF
Isabel
There's something alluring about enjoying wine and pretending to be a sybarite, even though we are often unable…
By Jan Tracz
LFF
Forest High
“Unable to be silent, I will be long and still”. Arriving during a hushed poetry recitation, it’s as…
By Thomas Messner
LFF
Moscas (Flies)
If the festival gave out an award for Best Opening Scene, Moscas would be the clear winner. Without…
By Selina Sondermann
LFF
The Man I Love
Ira Sachs's The Man I Love opens with a premise that seems deceptively familiar: a theatre actor living…
By Christina Yang
LFF
The Beloved
Spanish Cannes competition entry The Beloved (El ser querido) practically picks up where last year's Cannes Grand Prix…
By Selina Sondermann