“Freddie is different from the usual nice, soft female character that you see in Asian cinema a lot, mostly from male Asian directors”: Davy Chou on Return to Seoul

“A lot of the time, growing up, we didn’t really feel seen”: Robert Higgins and Patrick McGivney on Lakelands

“It was a chance to represent these kind of people, the voiceless”: Adam Bessa on Harka

“It’s the best thing out of Africa right now”: Adesua Etomi, Tobi Bakre and Chioma Akpotha on Gangs of Lagos

“You get tired of always fighting the system. You just have to exist and do your thing and hope people will see you as human”: Basil Khalil on A Gaza Weekend at London Comedy Film Festival

“The characters just bounced off the page”: India Amarteifio, Golda Rosheuval, Arsema Thomas, Ruth Gemmel and Corey Mylchreest on Queen Charlotte – A Bridgerton Story

“The bad guy never knows he’s the bad guy. He thinks he’s the hero”: Jude Law, David Lowery, Alexander Molony, Ever Anderson and Yara Shahidi on Peter Pan & Wendy

“The film moves through this huge landscape of emotion as well as the land”: Rachel Joyce on The Unlikely Pilgrimage of Harold Fry

“We are all humans and we have the same rights”: Mira Erdevički on Leaving to Remain

“He was a bruiser in the ring but I wanted people to see that he had that gentle heart”: Khris Davis on Big George Foreman

“Boxing films are timeless because we look at characters who come from nothing”: George Tillman Jr on Big George Foreman

“The stakes are high in the spy genre, I think that’s why it’s ubiquitous”: Priyanka Chopra Jonas and Joe Russo on Citadel

“I always felt like it was a crazy job – an amazing job… these people almost had superpowers”: Tomohisa Yamashita and Fleur Geffrier on Drops of God

“I just wanted to make one of those movies that someone might sneak downstairs to watch”: Jamie Patterson, Skye Lourie and George Webster on God’s Petting You

“As a homosexual woman, I’ve felt oppressed by society’s violence”: Lola Quivoron and Julie Ledru on Rodeo

“A starting point was this idea of how strongly smell can take us back to our memories”: Léa Mysius on The Five Devils

“Who said there was a limit of chairs at the table? There never was but we were conditioned by the patriarchy to think that”: Kyra Gardner on Living with Chucky

“Each and every person can make a difference, no matter how old they are”: Mason Blomberg and Ava Louise Murchison on Jane’s Animal Adventures

Peter Pan & Wendy: On the red carpet with Jude Law, Yara Shahidi, Ever Anderson and Alexander Molony

“Anything is a landmine; you always run the risk of crossing the guardians of the temple”: Screenwriter Quoc Dang Tran on Drops of God

The Unlikely Pilgrimage of Harold Fry: On the red carpet with Jim Broadbent, Penelope Wilton and Rachel Joyce

“Horror allows you to experience some of the darker sides of life without actually going through them”: Lee Cronin on Evil Dead Rise

“I want this album just to make you feel good; I’m not going on anything apart from instincts”: Toby Sebastian on music, acting and collaborating with his sister Florence Pugh

“The film is so iconic, we never wanted to just remake it. We wanted to find a reason to tell it”: Rachel Weisz and Alice Birch on Dead Ringers

“It’s probably the most insane action film you’ll have ever seen, certainly in modern times”: Scott Adkins on John Wick – Chapter 4