“This is one of the craziest adventures that humankind has ever created”: Ryan White, Abigail Fraeman and Doug Ellison on Good Night Oppy

“This incarnation is a feminist perspective on the era”: Paloma Faith, Carice van Houten and Kosar Ali on Dangerous Liaisons

“Nocebos are the like the evil twin of placebos – they can actually cause harm or even death”: Lorcan Finnegan on Irish-Filipino psychological thriller Nocebo

“We hope that people with preconceptions about young migrants will see this story and it might move them”: The Dardenne brothers on Tori and Lokita

“There’s a huge release that comes with watching someone process that much anxiety”: Rebecca Hall on psychological horror Resurrection

“There’s something about the camera that changes reality”: Director Bianca Stigter on Three Minutes: A Lengthening

“It was an opportunity to take the audience and put them into his world”: Chris Smith on Netflix documentary Sr

“It was insanely surreal because it was 29 degrees in August but it was snowing”: Asa Butterfield, Cora Kirk and Daniel Mays on Your Christmas or Mine?

“As much as we loved the original Fletch, we agreed John wasn’t going to try to do a Chevy Chase impersonation”: Greg Mottola, Lorenza Izzo and Annie Mumolo on Confess, Fletch

“It’s beautiful to see the unapologetically romantic moments but also the ones that challenge what we have deemed as romantic”: Jessica Brown Findlay and Anthony Welsh on The Flatshare

“I hope the people that really are keeping us safe are exactly like this”: Kristen Scott Thomas and Jack Lowden on Slow Horses season two

Your Christmas or Mine? On the red carpet with Asa Butterfield, Cora Kirk, Daniel Mays and Alex Jennings

“There are no heroes in the story”: Michiel Huisman, Luke Evans and Jessica Ann Collins on Echo 3

“There’s a long history between humans and pigeons, and that tradition is ultimately being kept alive by this collection of characters”: Gavin Fitzgerald on Million Dollar Pigeons

“To capture the essence of what it is to feel different and how to find solace within – that is what we were all reaching for”: Andrea Riseborough, Matthew Warchus and Dennis Kelly on Roald Dahl’s Matilda the Musical

“Every time we eat flesh, we’re eating the body of someone who didn’t want to die”: Author Camille DeAngelis shares her thoughts on Luca Guadagnino’s adaptation of Bones and All

“My films are really about bridging the gap between film studies and the general public”: Alexandre O Philippe on Lynch/Oz

“I’m amazed by the resilience of the human spirit”: Sally El Hosaini, Nathalie Issa, Manal Issa and Matthias Schweighofer on The Swimmers

“The thing that was such a thrill was the instant chemistry the guys had, not only when the cameras were rolling but when they weren’t”: Sean Anders on Spirited

“It’s a beautiful, odd and unique blend of horror, thriller, comedy and satire in a mashup that I’ve yeah genuinely not seen before”: Mark Mylod on The Menu

“I think all of us can become ruthless in certain circumstances”: The cast and creatives of The Great Game on the new football drama

“It’s not always so easy to know who the bad guy is, and that’s okay”: James Gray on Armageddon Time and revisiting his childhood on screen

“When they told us we couldn’t use Oasis music, it was a relief”: Toby L on Liam Gallagher Knebworth 22 documentary

“I just felt really lucky that I got the opportunity to be part of something like this”: Cynthia Addai-Robinson on The People We Hate at the Wedding

“If you get to the end of the scene and there isn’t a definitive punch line, it’s a free-for-all”: Noah Wyle, Gina Bellman, Beth Riesgraf and Aleyse Shannon on Leverage: Redemption season two