The Menu: On the red carpet with Nicholas Hoult, Anya Taylor-Joy and Mark Mylod

If there’s one thing that seems to be in...

“I wanted to defy the prescribed notion of motherhood”: Lynne Davison on feminist folk-horror Mandrake

“It’s great to be able to tell the really personal and private stories about these people, and to humanise them in that way”: The cast of The Crown on season five of the Netflix series

“I’ve always felt a bit like an outsider myself”: Lewis Gribben on starring in Somewhere Boy

“Tegan and Sara’s discovery of sexuality and music really felt like my coming of age”: Clea DuVall and twins Seazynn and Railey Gilliland on High School

“The franchise lives on because people love music and they love to dance”: Christina Milian and Holly Sorensen on Step Up season three

“Haiti’s story is always told by the West – we wanted to reverse the narrative”: Eddie Hutton-Mills on Kanaval: A People’s History of Haiti in Six Chapters

“We think and dream together, our collaboration is synergistic”: Saul Williams and Anisia Uzeyman on Neptune Frost

“It talks about the glory of cinema and mortality – but audiences can also have a real laugh watching it”: Kim Hopkins and the Bradford Movie Makers on A Bunch of Amateurs

The Bastard Son and the Devil Himself: Interviews with Jay Lycurgo, Emilien Vekemans, Isobel Jesper Jones and Nadia Parkes

“In this business, the better the script is, the harder it is to get it made”: Thomas Jane on Troppo

“At a certain point there’s enough stuff in your notes you start to feel it wants to be a story”: Fridtjof Ryder and Rory Alexander on Inland

“She’s a powerhouse”: Mali Ann Rees, Jordan Wilks and Lloyd Everitt on The Pact season two and working with Rakie Ayola

“90 years after its publication, the book still hasn’t lost any of its impact”: Daniel Brühl, Albrecht Schuch and Edward Berger on All Quiet on the Western Front

Eternal Spring: An interview with director Jason Loftus

Eternal Spring is a documentary about the hijacking of broadcast...

“It was exciting to play a woman who is perceived as weak but is given an opportunity to show the leader that is in her”: Dolly de Leon on starring in Ruben Östlund’s Triangle of Sadness

“It’s always appealing for me to play someone that has a lot of layers”: Aubrey Plaza and director John Patton Ford on Emily the Criminal

“We tried to do justice to their heroism but also how they were as human beings”: Q&A with the cast and creatives on SAS Rogue Heroes

“We all need the Hilma within us today”: Lasse Hallström and the cast of Hilma on the Swedish painter’s biopic

“I’m a lot more connected to people who don’t have an easy way out of their circumstances”: Goran Stolevski on folk-horror You Won’t Be Alone

“There’s a paradoxical relationship in which you know you’re really loved but also really hated”: Martine Syms on The African Desperate

Louis Armstrong’s Black and Blues: An interview with filmmaker Sacha Jenkins 

Louis Armstrong’s Black and Blues unveils an...

“To receive a script where you don’t know what’s going to happen next is exhilarating”: Sid Phoenix on All Is Vanity

“There has to be hope. There’s no other option”: Alex Pritz on The Territory

Emily: On the red carpet with Emma Mackey, Frances O’Connor, Fionn Whitehead and Oliver Jackson