As anticipation builds around the release of her forthcoming album, Portraits (out...
Hour of the Ox is Katie Kim’s sixth full-length album, and the last to be...
The Lumineers’ first new album in over two years and their second Grammy...
Fresh off her latest album Young Heart, which was released earlier this year, singer-songwriter...
Laura Marling is a popular artist: the queue snaking away from Camden’s...
The duo who gave new meaning to the term “quiet is the new...
It has been nine years since his double platinum debut album and,...
The indie-folk scene is a little overcrowded, and despite LA-based Lord Huron’s...
Born of the Covid-19 pandemic, conceived in lockdown, Scott Matthews’ recently...
Five years after the release of her last record, Beautiful Lies, Birdy returns with...
Before the discourse around toxic relationships entered the cultural lexicon, there was the visceral embodiment of toxic co-dependency via Martha and George in Who’s Afraid of Virginia Woolf?. Edward Albee’s seminal play was famously adapted into a film with Elizabeth Taylor and Richard Burton, themselves locked in marital tumult. Now, in Marianne...
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