Every sentence we utter is an improvisation – this is the...
Matsutani is an Osaka-born, Paris-based artist and second...
When entering the minimal white space of Hauser and Wirth there is no...
For those unfamiliar with his work, Haroon Mirza is a British sound...
In the same week that Baz Luhrmann’s predictably brash interpretation of...
Rodney Graham’s latest exhibition at Lisson Gallery is a series of...
Established in 1993, Wimbledon Art Studios is London’s largest...
The Tower of London was once again a theatre for plots and love affairs...
Founder of the London Women’s Liberation Art Group...
We all need light. It doesn’t matter where it comes...
Before the discourse around toxic relationships entered the cultural lexicon, there was the visceral embodiment of toxic co-dependency via Martha and George in Who’s Afraid of Virginia Woolf?. Edward Albee’s seminal play was famously adapted into a film with Elizabeth Taylor and Richard Burton, themselves locked in marital tumult. Now, in Marianne...
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