Glaubenberg
Incest is perverted. That makes it basically exciting, transgressive, absurd and ripe for cinematic treatment. In this case,…
By Joseph OwenIncest is perverted. That makes it basically exciting, transgressive, absurd and ripe for cinematic treatment. In this case,…
By Joseph OwenMichael Faulkner and Joshua Poole are the duo behind and in front of Did It Hurt? This is…
By Musanna AhmedThe ensemble comedy Dog Days is an ambitious film exploring the connection between canines and their owners and…
By Michael HiggsA national rejuvenation, an economic miracle, Singapore succeeds through something tangible yet perverse: it keeps making itself bigger. Neighbouring lands export sand and…
By Joseph OwenIdeas of radical ecology, self-sufficiency and toiling the land offer many narrative possibilities: a well-meaning ode to collective…
By Joseph OwenBursting with lust, love, anguish and heartache. Cruising at a steady, subdued pace, taking in the class, repression…
By Jake CudsiTeen dystopian drama The Darkest Minds is an ambitious feature based on Alexandra Bracken’s novel of the same…
By Mersa AudaUnder the Tree (Undir trénu), Iceland’s foreign language entry at the Oscars earlier this year, takes the building…
By Will AlmondRadu Muntean's Alice T. is discomfort distilled. A teenage pregnancy is brutally and unsentimentally depicted. This is a…
By Joseph OwenThis is not a heinous film. It’s respectable, subtle and – perhaps that most faintly damning of terms…
By Joseph Owen