Paris Haute Couture: Oscar Carvallo S/S 13

Paris Haute Couture: Oscar Carvallo S/S 13
Paris Haute Couture: Oscar Carvallo S/S 13

In a busy room at the Shangri-La Hotel, Paris, Oscar Carvallo’s show – to the tune of Florence and the Machine’s What the water gave me and each model making their way down the runway – it was clear that the designer had dived into the ocean for his inspiration for this couture collection.

Through Carvallo’s vision, he showed “the sensuality of the female fish”.  Partly embroidered tulles created wave effects on the dresses. We saw an ocean of material, and got carried away by the currents of an insane and hypnotic ballet of silk fins. He mainly used trimmed fish-skin and made amazing lace fabric, inspired by pearls, starfish and corals.

We saw crosscut strips with the pieces of square metal and volumes of thicker clothed skirts. White seashells accessories were common for this theme. In the finale, Carvallo made the walk with a model that wore a breathtaking white dress featuring a glorious headpiece.

It’s very hard to say anything wrong about Haute Couture. Each piece has been lovingly handcrafted, and this show made a big impression on us.

Sabri Alper Yılmaz

                                                                                                                                   

More in Uncategorised

Competition: Win a pair of tickets to see The Boy Who Harnessed the Wind in the West End

The editorial unit

Stay connected for mobile betting on the ski trip

The editorial unit

Legal considerations for playing online gaming entertainment in different states

The editorial unit

How technology is transforming horse racing: from data tracking to smarter interaction

Emma Brown

“I really think we were meant to do this show together”: Caitríona Balfe on Outlander season eight

Antonia Georgiou

“There’s enough hard stuff out there – this is intelligent, kind television”: Barbara Flynn on Beyond Paradise season four

Mae Trumata

From prams to toys: How E-Catalog makes shopping for children easier in Britain

The editorial unit

“I want to be political because we’re living in a time that calls for conscience – and for political films”: Ilker Çatak on Yellow Letters at Berlinale 2026

Laura Della Corte

What are holiday necessities everyone forgets about?

The editorial unit