I’m Every Woman at Park Theatre

It is difficult to think of a discography more iconic than that of Chaka Khan. For decades, her songs have been the soundtrack to love stories and heartbreaks, dancefloors and living rooms. And now, her legendary body of work has made its way to Wembley.

The reputation that precedes Chaka Khan is perhaps the downfall of I’m Every Woman – the lofty height at which her work sits allows for a harsh plummet. Though the story of Chaka Khan is both remarkable and inspiring, the two hours and 40 minutes of this production feel so plot-dense that it is near impossible to connect to any part of it.

The show moves through action so quickly it feels almost like it is in fast-forward. So little time is dedicated to building relationships or demonstrating chemistry that even when devastating, life-altering events occur, it feels as though very little is at stake.

Many iconic performers are featured throughout: Stevie Wonder, Whitney Houston, Luther Vandross and Prince, to name a few; however, very little care is given to mimicking the idiosyncrasies of these people. To attempt to emulate such canonical musicians without studying their vocal quirks and mannerisms comes across as less of a tribute and more of a caricature.

Joy is injected into the performance through Natalie Pryce’s wonderful costume design. Bell bottoms, fringe and copious amounts of sequins help viewers keep track of the era reached during this rapidly moving production. With a Bob Mackie-esque penchant for glitter and beading, the costumes serve as disco balls for each energetic number, becoming themselves part of the choreography. The choreography itself (by Ebony Clarke) is playful and vibrant – the perfect accompaniment to The Queen of Funk’s soundtrack.

Despite the budget for this musical, which evidently is very large, the use of lighting and LED screens feels outdated and at times distracting. I’m Every Woman ends with a highly emotive moment, yet it feels as though too much production was thrown at the scene, detracting from the depth of the story.

The press night felt particularly special, with Chaka Khan herself in the audience. A standing ovation before a show even begins is a true testament to the impact Khan has had on so many lives. Though this production feels rushed at times, the story that it tells is beautiful. And, of course, it is absolutely impossible to hear I Feel for You without wanting to break out into dance.

Emilia Gould
Photos: Danny Kaan

I’m Every Woman is at Park Theatre until 27^th September 2026. For further information or to book, visit the theatre’s website here.