Culture Theatre

The Victorian in the Wall at the Royal Court

The Victorian in the Wall at the Royal Court | Theatre review

This little 95-minute production by Fuel Theatre is adorably funny and easy to watch. A flat is created on a tape marked floor and the sounds of its surroundings and goings on are played live onstage using props and the actors’ voices. Will Adamsdale directs, writes and plays our leading man, Guy – a writer who doesn’t actually write but relies on a short story award he won in 1998 to justify his existence. 

His despairing girlfriend, Fi (Melanie Wilson) leaves Guy to watch over the builders doing a “knock through” job to expand their flat. Unfortunately, Wilson lacks energy and expression, despite the easygoing nature of the piece; her part is swallowed by the hilarious, powerfully charged male ensemble who multi-role throughout. Chris Branch plays builder Rob and also eloquently musically underscores on a piano – he’s a charming player. Matthew Steer’s Mr Elms (the Victorian discovered living in the knocked through wall) is sufficiently controlled, and his naivety charms. The excellent Jason Barnett supports the piece brilliantly, and is particularly humorous as the annoying barking dog next door, until he charges onstage as his main character – the adopted, rather adult son from West Africa who Guy mistakenly signed up for when supporting the charity Crisis Child.

The brilliance of this piece is the accepting attitude of the characters. The plot is so farfetched that the playfulness of the actors is the only way to convince an audience, and we happily play along. The piece still has an amateur feel in its approach, and strikes as a an absolute sell-out in a fringe venue, but despite its easy comedy and accessibility there’s still an edge to it that seems forced and not quite professional.

Despite this, its comment on our ever evolving laziness (apparent in society where we feel owed a successful future, rather than earning it) does make you want to hop on a Boris Bike and storm through town, loving and appreciating the fact that you can. As Guy’s new son preaches: “It’s better to do something wrong, then do nothing at all.”

Sarah Milton

The Victorian in the Wall is at the Jerwood Theatre Upstairs at the Royal Court until 8th June 2013. For further information or to book visit the theatre’s website here.

Watch the promotional video for The Victorian in the Wall here:

More in Theatre

The Midnight Bell at Sadler’s Wells

Christina Yang

King of Pangea at King’s Head Theatre

Dionysia Afolabi

A Midsummer Night’s Dream at Bridge Theatre

Thomas Messner

The Lost Music of Auschwitz at Bloomsbury Theatre

Will Snell

Fiddler on the Roof at Barbican Theatre

Cristiana Ferrauti

The Perfect Bite at Gaucho City of London

Maggie O'Shea

Letters from Max at Hampstead Theatre

Selina Begum

The Frogs at Southwark Playhouse

Jim Compton-Hall

“Technique is only a vessel, what truly moves people is honesty, fragility, courage”: Adam Palka and Carolina López Moreno on Faust

Constance Ayrton