Culture Cinema & Tv

Darren Aronofsky reveals the secret to Noah’s realism in exclusive PETA US video

Darren Aronofsky reveals the secret to Noah’s realism in exclusive PETA US video
Darren Aronofsky reveals the secret to Noah’s realism in exclusive PETA US video

Oscar-nominated director Darren Aronofsky points to digitally created animal characters as the future of filmmaking.

“One of the first promises I made to Russell Crowe when he took on the role,” says Noah director Darren Aronofsky, “was ‘I promise you won’t be standing on a deck with two giraffes sticking out behind you’.” And as the Oscar-nominated director reveals in an exclusive new video interview with PETA US, he stayed true to his word, using advanced digital effects to create the stunning array of animals who appear in Noah.

“When you’re doing Noah’s ark, of course you’re going to be dealing with animals – that’s the whole story,” Aronofsky says. “Immediately, it would be very questionable to start taking sentient creatures and sticking them on a set…it’s kind of against the actual themes of the film.” Ultimately, he concludes, “it’s undoubtedly a more realistic, truthful film…because we were able to create our own animal kingdom”.

Aronofsky also shares his experience working with live primates on 2006’s The Fountain. “I was pretty alarmed with the condition that they were being kept in,” he says. He also points out that adding digital animals in post-production saves an enormous amount of time and money. “You’re gonna spend a lot more time on set dealing with a live animal…there’s really no reason to do it anymore because the technology has arrived. You can pretty much bring anything to life.”

As technology progresses – and as filmmakers learn about how animals suffer from deprivation and abuse in the entertainment industry – the use of digital effects to portray animals is increasing. Aronofsky cites Rise of the Planet of the Apes and Avatar‘s successful use of digital imagery. In addition, PETA US’ TV spot 98% Human – which uses cutting-edge technology to address the plight of great apes used for entertainment – won top honours in visual effects at the prestigious Cannes Lions festival, and the top ten advertising agencies in the US have signed PETA US’ Great Ape Pledge never to use live apes in their projects.

The editorial unit

For further information about animals in film and TV visit here.

Watch Darren Aronofsky discuss CGI and animal safety in Noah here:

More in Cinema & Tv

Undertone

Thomas Messner

Anne Hathaway steps into pop stardom in new trailer for David Lowery’s Mother Mary

The editorial unit

Jennifer Lopez takes centre stage in first trailer for Kiss of the Spider Woman

The editorial unit

Gillian Anderson and Hannah Einbinder lead Jane Schoenbrun’s eerie new horror Teenage Sex and Death at Camp Miasma

The editorial unit

Michael B Jordan and Juno Temple trade places in Netflix’s wild new animated comedy Swapped

The editorial unit

John Travolta takes to the skies with directorial debut Propeller One-Way Night Coach at Cannes 2026

The editorial unit

The Super Mario Galaxy Movie

Christopher Connor

Nicola Walker and Jemaine Clement lead messy new Disney+ comedy Alice and Steve

The editorial unit

Lee Cronin’s The Mummy promises a darker, more unsettling reinvention of the horror classic

The editorial unit