Culture Interviews Cinema & Tv

The Flood: An interview with director Anthony Woodley and star Ivanno Jeremiah

The Flood: An interview with director Anthony Woodley and star Ivanno Jeremiah
The Flood: An interview with director Anthony Woodley and star Ivanno Jeremiah

When hardened immigration officer Wendy (Lena Headey) is offered a high-profile asylum case, she is immediately instructed to carry out a string of interrogations in order to find out whether refugee Haile (Ivanno Jeremiah) has ulterior motives in making his 5,000 kilometre journey across oceans and seas, just for that one chance of being able to seek sanctuary in the UK. But as the case progresses, so too does Wendy’s connection with Haile, much to the detriment of her peers, who propose that duty comes first – before humanity.

We were fortunate to speak with the director of The Flood, Anthony Woodley, together with the film’s leading star, Ivanno Jeremiah, to learn some more about the project, as well as what it was like to film in the harrowing conditions of The Jungle – Calais’ notorious migrant camp.

Ghazaleh Golpira

The Flood is released in select cinemas and on demand on 21st June 2019. Read our review here.

Watch the trailer for The Flood here:

More in Cinema & Tv

Undertone

Thomas Messner

Anne Hathaway steps into pop stardom in new trailer for David Lowery’s Mother Mary

The editorial unit

Jennifer Lopez takes centre stage in first trailer for Kiss of the Spider Woman

The editorial unit

Gillian Anderson and Hannah Einbinder lead Jane Schoenbrun’s eerie new horror Teenage Sex and Death at Camp Miasma

The editorial unit

Michael B Jordan and Juno Temple trade places in Netflix’s wild new animated comedy Swapped

The editorial unit

John Travolta takes to the skies with directorial debut Propeller One-Way Night Coach at Cannes 2026

The editorial unit

The Super Mario Galaxy Movie

Christopher Connor

Nicola Walker and Jemaine Clement lead messy new Disney+ comedy Alice and Steve

The editorial unit

Lee Cronin’s The Mummy promises a darker, more unsettling reinvention of the horror classic

The editorial unit