Rita at Charing Cross Theatre

Rita begins with outdoorsy music, a childish font written across a big screen and a backdrop of a happy little house in a field of the vivid outside world. All these things set up early the on-set irony of the themes of the operatic play, and how events will unfold within the confines of one house. Rita enters, all in bright red from her rose-covered dress and heels, to her fiery hair and bright red lips. This is an early suggestion of the protagonist as dangerous, yet the flower symbolism is romantic and seductive. She sits in harmony with the rest of the set, which consists of a table with a couple of chairs and three doors. These doors are significant to the overall set-up, acting as moveable props, comedic trinkets and metaphorical mazes. They also allow for the small stage to not seem too claustrophobic.

There are many double entendres and hidden meanings within the script, with an abundance of humorous contrasts with the circumstances, for example, Rita believing her ex-husband died by drowning while he believes she died in a fire. The “king” of the house concept is represented through keys, and props in general, are integral to the entire play’s storytelling from the bags, to the marriage certificate and alcohol; all of these items have a far deeper meaning than at first appearance, while the infectious humour carries the heavy reality of the cycle of abuse. It also says a lot about the actors and the script that even minor slips in the delivery only add further to the enjoyment of the overall performance.

The rule of three is a constant presence: three main characters, three doors and three main props (the keys, the doors and the marriage certificate). The chemistry and dynamic between the actors are especially addictive and an absolute highlight of the play. It’s hard to dislike even manipulative Gasparo (Phil Wilcox) – who is the initial abuser and constantly gaslights the other two characters – and Rita (Laura Lolita) – who now abuses Beppe (Brenton Spiteri). 

Overall, while Rita is satirical and absolutely ridiculous at times, the message remains crystal clear and one to be forever remembered: that of marriage being about respect and equality rather than one single dominating individual.

Mae Trumata

Rita is at Charing Cross Theatre from 7^th August until 20^th August 2022. For further information or to book visit the theatre’s website here.