Filippo L'Astorina, the Editor

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  Venice

  Charlie Says: Interview with director Mary Harron and writer Guinevere Turner

  Nearly two decades ago, director Mary Harron and...

  Filippo L'Astorina, the Editor 4th September 2018
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  LFF

  Matthias Schoenaerts and Reda Kateb interview on crime drama Close Enemies (Frères ennemis)

  Close Enemies (Frères...

  Filippo L'Astorina, the Editor 3rd September 2018
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  Venice

  Non-Fiction (Doubles Vies)

  Olivier Assayas returns to the Lido with a comedy-drama starring...

  Filippo L'Astorina, the Editor 2nd September 2018
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  Venice

  Suspiria: A masterpiece set to divide and unsettle audiences

  Luca Guadagnino’s Suspiria is...

  Filippo L'Astorina, the Editor 1st September 2018
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  LFF

  “I count on good directors to use me in imaginative ways”: The Mountain’s Jeff Goldblum discusses his endless drive to improve
  Filippo L'Astorina, the Editor 1st September 2018
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  LFF

  A Star Is Born

  There’s very little positive to be said about Bradley Cooper’s...

  Filippo L'Astorina, the Editor 1st September 2018
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  LFF

  “Passive populations are dangerous”: The Mountain director Rick Alverson discusses the importance of challenging his viewers
  Filippo L'Astorina, the Editor 31st August 2018
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  LFF

  Hannah Gross on The Mountain and Mindhunter at Venice Film Festival 2018

  Having played the girlfriend of an FBI psychologist in...

  Filippo L'Astorina, the Editor 31st August 2018
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  LFF

  Roma

  How did a “Spanish-language drama shot in black and white with a cast of unknown...

  Filippo L'Astorina, the Editor 30th August 2018
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  Venice

  The Favourite

  Yorgos Lanthimos’s much-anticipated The Favourite marks a departure from the...

  Filippo L'Astorina, the Editor 30th August 2018