Artist and activist Marissa Khaos is a London-based critic with a Masters in Literature and a passion for surrealism, afrofuturism, radical and dissident art. When she isn't herself making art, Khaos enjoys reviewing theatre, exhibitions, music and films of varying genres with the decolonial focus of the hybrid agent in- and of- the world.
Fadia’s Tree is a story of inherited memories, belonging and migration. The camera gazes up...
In Search of a White Identity, written by Cliffordkuju...
London jazz band Kokoroko bring a West African-inspired show to the Royal Albert...
Breakin’ Convention’s Artistic Director and Sadler’s Wells...
Get Happy is the outdoor interactive play by Told by an...
Acclaimed playwright Roy Williams brings together an impressive...
It’s not often you find theatre directors and writers describe their work as idiotic, but that’s exactly what Cole Escola and Sam Pinkleton do in the programme for their Tony-award winning play Oh, Mary! Portraying the farcically fictional story of First Lady Mary Todd, wife of the 16th President of the United...
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