Martha Thompson recently graduated in English Literature at Goldsmiths, and is chasing up her interest in cultural review writing while working at a café and a vintage boutique. She’s an avid writer on music, fringe theatre, film, theatre, food and London life. She has contributed to Goldsmiths publication Smiths, music magazine Outsiders Musica, and completed an internship for the literary blog Author Attic. She also contributes to several blogs, including her own. Martha is thrilled to be writing for an up-to-date and comprehensive magazine like The Upcoming.
The area of Soho around Manette Street is a guitarist’s haven; famous music...
Polly and Lyman Wyeth and their grown-up children, Trip and Brooke, gather...
A November Day is the latest offering from puppetry/theatre...
It’s been over a decade since Swedish pop group The Cardigans – after platinum...
Without the interaction of bodies, one-person theatre can seem flat and...
The London Film Academy celebrated its tenth birthday...
The draughty, rough wood basement of Dalston’s Arcola Theatre suits...
Little Portland Street’s The Social is packed to breaking point with ecstatic fans...
Shakespeare’s Globe’s programme continues into a windy, wet winter season with a brand-new musical version of Pinocchio. Despite the occasional darker story beats that draw from Carlo Collodi’s 19th-century original Adventures of Pinocchio, Sean Holmes’s production is a superb retelling that delivers sheer wittiness, deft stagecraft, and heartfelt sincerity. The story of...
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