Oliver Johnston

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  Berlinale

  DAU. Natasha press conference: The bizarre alternate reality of the DAU project

  The magnitude of the DAU project, which...

  Oliver Johnston 26th February 2020
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  Berlinale

  Eeb Allay Ooo!

  Eeb Allay Ooo!’s cryptic title is handily explained in the opening frames...

  Oliver Johnston 26th February 2020
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  Berlinale

  Hope (Håp)

  The general premise of Hope sounds undeniably bleak, and even a little familiar....

  Oliver Johnston 26th February 2020
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  Berlinale

  The Woman Who Ran press conference: Improvisation, affairs, and storytelling

  Parasite‘s recent Oscar glory was not...

  Oliver Johnston 25th February 2020
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  Berlinale

  Delete History (Effacer l’historique)

  There’s a lively sense of structured absurdity...

  Oliver Johnston 24th February 2020
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  Berlinale

  “The film is a lot about women’s desire”: An interview with The Intruder director Natalia Meta
  Oliver Johnston 24th February 2020
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  Berlinale

  “There is a strong difference between male and female directors”: An interview with The Intruder actor Érica Rivas
  Oliver Johnston 24th February 2020
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  Berlinale

  “I don’t like seeing myself in a movie”: An interview with The Intruder’s Cecilia Roth
  Oliver Johnston 24th February 2020
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  Berlinale

  Hidden Away (Volevo nascondermi) press conference: Uncovering the real Antonio Ligabue

  Many people might have been unaware of...

  Oliver Johnston 24th February 2020
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  Berlinale

  All the Dead Ones (Todos os Mortos)

  Slavery had been abolished in Brazil for a decade by...

  Oliver Johnston 23rd February 2020