Interviews

The cast of this year’s production of Crazy For You are clearly very...

From Fringe to West End, with a Vault Festival stop in between, the upward...

Returning to Haifa, Ghassan Kanafani’s novella about the fallout...

One man plays multiple misfits in this darkly...

Ingmar Bergman’s 1982 film Fanny and Alexander is arguably the epitome of...

Wearing khaki military pants, a man is tied to a pole with...

There are so many maybes in our lives. Maybe I’ll do this or perhaps the...

In the underground space of the Vaults theatre, and with plenty of thick...

It’s said that all good theatre has storytelling at its heart and the Olivier...

“It’s not easy being a princess,” sighs Felicity Dean as she sweeps...

This uniquely dark romantic comedy makes for a hilariously twisted...

At its best the Gate Theatre’s production of Falk Richter’s Trust...

Dust is basically like a millennial A Christmas Carol, but if Ebenezer Scrooge was dead...

Adam Scott-Rowley is already a powerhouse of theatrical...

The Hope Theatre’s sixth in-house production, Robin Hooper’s Foul...

Joan Lindsay’s 1967 novel about the disappearance of three schoolgirls...

EM Forster’s elegant prose style, one of the greatest features of his...

Jonathan Munby’s production of Frozen is the kind where the...

Chris Goode’s stage adaptation of Derek Jarman and James Whaley’s cult...

Simon Leys’s novella, The Death of Napoleon, is the latest text to be...

Developed by Peut Être Theatre in partnership with GOSH Arts, patients and...

She is boiling. Her facial expressions are threatening him. Us. The man brandishes...

Is Prospero a man or woman? Is he Miranda’s father or mother?...

In our culture breasts are a battleground, the ultimate object of sexualisation and...