Chris Goode’s stage adaptation of Derek Jarman and James Whaley’s cult...
Simon Leys’s novella, The Death of Napoleon, is the latest text to be...
Developed by Peut Être Theatre in partnership with GOSH Arts, patients and...
She is boiling. Her facial expressions are threatening him. Us. The man brandishes...
Is Prospero a man or woman? Is he Miranda’s father or mother?...
In our culture breasts are a battleground, the ultimate object of sexualisation and...
BBC film critic Mark Kermode has a helpful maxim...
“If it gets difficult – and it will get difficult – I want you to...
Boy, oh boy, oh boy. The York Realist is the kind of play that takes...
Paul Hunter is the artistic director of acclaimed theatre company Told By an...
Racism at the Academy Awards is not news anymore, but in the America of...
A robot’s sole purpose is to be useful to humans. But what possible use could...
Curiosity killed the cat, or was it ignorance? It depends from...
Debuting at the Chicken Shed in North London, Monolog is a short and to-the-point...
Alan Ayckbourn’s massive dystopian play The Divide, directed by Annabel...
It is all about the drugs, sex and rock‘n’roll in...
Rapid-fire dialogue, strobe lighting and lots of dirt. This is Gundog,...
When beauty blinds a man’s judgement, chaos is bound to...
There is always an element of risk involved when narrating the...
A very dark and hazy ambience welcomes the audience at the Orange...
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