Dependent on your tolerance for posh white people, the Orange Tree...

Noël Coward’s Brief Encounter returns to London’s West End,...

Theatre company Proud Haddock is known for re-discovering...

Paapa Essiedu exceeds all expectations as the iconic Danish prince in this gripping...

As part of the Vault Festival 2018, Red Belly Black Theatre are presenting an...

In years to come people will look back on Rebecca Frecknall’s intense...

The National Theatre’s artistic director must suffer from some kind of...

The cast of this year’s production of Crazy For You are clearly very...

From Fringe to West End, with a Vault Festival stop in between, the upward...

Returning to Haifa, Ghassan Kanafani’s novella about the fallout...

One man plays multiple misfits in this darkly...

Ingmar Bergman’s 1982 film Fanny and Alexander is arguably the epitome of...

Wearing khaki military pants, a man is tied to a pole with...

There are so many maybes in our lives. Maybe I’ll do this or perhaps the...

In the underground space of the Vaults theatre, and with plenty of thick...

It’s said that all good theatre has storytelling at its heart and the Olivier...

“It’s not easy being a princess,” sighs Felicity Dean as she sweeps...

This uniquely dark romantic comedy makes for a hilariously twisted...

At its best the Gate Theatre’s production of Falk Richter’s Trust...

Dust is basically like a millennial A Christmas Carol, but if Ebenezer Scrooge was dead...

Adam Scott-Rowley is already a powerhouse of theatrical...

The Hope Theatre’s sixth in-house production, Robin Hooper’s Foul...

Joan Lindsay’s 1967 novel about the disappearance of three schoolgirls...

EM Forster’s elegant prose style, one of the greatest features of his...

Jonathan Munby’s production of Frozen is the kind where the...