Two for the Seesaw, a play written by the Tony Award-winning William...

Olivia Vinall and Edward Hogg star as the besotted...

In less talented hands, Allelujah! would feel nauseously overcrowded. Set within...

God, A Monster Calls is tricky to review. The final half an hour is so raw...

Two comedians, father and son, are brought crashing back together in this...

The future of theatre is technological and exciting and boundary-pushing....

In partnership with St Mary’s University, the Orange Tree...

Written by Ella Hickson and directed by Dominique Chapman,...

Back in London for the first time since the...

An ode to pre-Hitler era composers of 1920s and 30s...

A kooky, old-fashioned American, puppets-meet-Broadway kind of...

Let’s make no bones about it; this is a show about...

Three brothers arrive in the Land of the Free, Jewish immigrants...

Vicky Jones and her writing theatre company DryWrite – co-founded with fellow...

Company of Elders prove that passion and...

The Jungle is writers Joe Murphy and Joe Robertson’s attempt to make...

It is not often that a play is first performed 350 years after...

The new London musical, Knights of the Rose, answers the question no...

The British seaside is depicted in art and theatre as a sometimes melancholy,...

We’ve had to revisit a great many of our childhood classic stories...

A dead black cat is not a good omen with which to start...

Acrobatics, playfulness and sensuality are the key elements at the heart...

Based on the novel Return to the Wood by JL Hodson, which saw...

Genesis Inc is a transparent lecture on the monetisation of...

Things certainly aren’t going to be slowing down in the capital over the next...