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LATEST ARTICLES

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The Legend of Moby Dick Whittington: An interview with Sleeping Trees comedy trio
With Christmas drawing ever nearer, pantomime...
Michael Higgs 17th November 2020
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The restorative power of theatre: Gavin Yule and The Bus Stop
Theatre has always been more than just entertainment. Back in...
Samuel Nicholls 17th November 2020
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“Gagging to Get out into the Real World Again”: Extant’s Maria Oshodi on theatre for the visually impaired in lockdown
Samuel Nicholls 5th October 2020
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Inclusivity and diversity with Jo Sargeant and Clare-Louise English from Hot Coals Theatre
Hot Coals Theatre is a clown, mask...
Ghazaleh Golpira 13th August 2020
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Interview with Director of Totally Thames Festival Adrian Evans
Totally Thames Festival is in its 24th year of celebrating...
Selina Begum 4th August 2020
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“It’s a story that transcends culture and age”: An interview with The Lion King’s Nick Afoa and Janique Charles
Sophia Moss 17th October 2019
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“There’s no such thing as the perfect happily ever after; someone always loses”: An Interview with Cressida Peever, writer of Red Palace
Lora Maslenitsyna 16th September 2019
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“Photography is the ultimate short story”: Portrait photographer Simon Annand discusses his major exhibition The Half
Ezelle Alblas 14th September 2019
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“This festival is making fringe spaces more accessible and readdressing the representation of artists”: Festival curators Steven Kavuma and Sophia Tassew discuss This Is Black
Catherine Sedgwick 19th August 2019
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“I believe we must show men how to engage with the female within themselves”: An interview with Alpha Who? creator Matt Franco
Regan Harle 29th July 2019
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“Don’t just make it accessible, make it relevant, and make it representational”: Chris Williams and Sheena Holliday of Drunken Chorus discuss the return of their empowering theatre festival A Bit of a Do
Sylvia Unerman 2nd July 2019
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“There is a really nerdy side of music and conversely a really wild side of science so we’ve been inspired by those crossovers”: Director Alexander Scott on Little Bulb Theatre’s The Future
Selina Begum 24th June 2019
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“I’m a hoarder. This play is going to change my life.” An interview with Hoard director Femi Elufowoju Jr
Mary-Catherine Harvey 17th May 2019
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“We need to reshape the way we care for the elderly and stop thinking of us and them, because we are them in years to come, and I want to be dancing and singing and still making plays”: Director Laura Harling on One Hundred Trillion
Yassine Senghor 11th May 2019
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“You can’t be what you can’t see”: Playwright Libby Liburd discusses Fighter and the need for true representation on the stage
Laura Jorden 22nd April 2019
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“There are wonderful pockets of compassion and resilience in this country coming from ordinary people”: Playwright Grace Chapman on Don’t Look Away and the importance of helping those seeking asylum
Catherine Sedgwick 16th April 2019
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“What looks like a simple kitchen set contains more surprises and tricks than a Vegas magic show”: Actor Giles Cooper on Toast and the challenges of playing Nigel Slater
Ezelle Alblas 10th April 2019
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“We like to push the boundaries of contemporary theatre, whilst creating playful shows”: Directors Gemma Rowan and Roisin Feeny on Sounds Like Chaos and Wow Everything Is Amazing
Mary-Catherine Harvey 4th April 2019
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“Outside of the works of Sophocles and Shakespeare, I can’t think of a more dizzying fall from grace”: Writer-director John O’Connor discusses The Trials of Oscar Wilde
Mary-Catherine Harvey 1st April 2019
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“I must have been a born fibber”: Box Clever writer Monsay Whitney discusses the art of storytelling
Laura Jorden 1st April 2019
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“What are theatre spaces actually doing to break down the class ceiling?”: Killymuck writer Kat Woods discusses the fight against elitism in the theatre
Laura Jorden 1st April 2019
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Drip Drip Drip: An Interview with Pipeline Theatre
“Gaining access to the big issues through the back-window of...
Laura Foulger 22nd March 2019
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“The joy of Vault is seeing people come for one type of show and then staying and watching something else they would have never seen otherwise”: An interview with the programmers of Vault Festival 2019
Catherine Sedgwick 23rd January 2019
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“It’s so important that younger audiences and families have access to high quality productions as today’s children are the audience of tomorrow”: An interview with Seussical director James Tobias
Cristiana Ferrauti 5th December 2018
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“Rather than trying to break or warm hearts we are using theatre as resistance”: An interview with Phosphoros Theatre on Pizza Shop Heroes
Michael Higgs 19th October 2018

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