Moxie After her 2019 comedy Wine Country, Amy Poehler returns to directing for Netflix with Moxie,...
Emma Kiely 2nd March 2021
Joseph Owen 2nd March 2021
Tina Perhaps the most straightforwardly joyous part of Tina is when Ms Turner, now 80 years...
Oliver Johnston 2nd March 2021
Oliver Johnston 2nd March 2021
Philly D.A. The inadequacies and oddities of the US justice system are pushed into the...
Oliver Johnston 2nd March 2021
The editorial unit 2nd March 2021
Oliver Johnston 2nd March 2021
Souad Souad is a film about looking past the façade: of religion, of online escapism, of...
Samuel Nicholls 2nd March 2021
Sean Gallen 2nd March 2021
Tides To describe the storyline of Tides might be a bit disorienting. The plot itself...
Oliver Johnston 2nd March 2021
The Fam (La Mif) This excellent, if dramatically overburdened realist drama has the quality...
Joseph Owen 2nd March 2021
Back to the Wharf After his place at university is unfairly given to someone else,...
Andrew Murray 1st March 2021
Ted K Packed with cinematic tricks (cuts, fades, tilted angles: the lot!) and led by Sharlto...
Joseph Owen 1st March 2021
Sean Gallen 1st March 2021
Joseph Owen 1st March 2021
Selina Sondermann 1st March 2021
We (Nous) This tender, affecting film threads together the apparently disparate lives and...
Jake Cudsi 1st March 2021
The editorial unit 1st March 2021
Moon, 66 Questions This promising domestic drama about a young woman reconnecting with her...
Joseph Owen 1st March 2021
Language Lessons This sincerely felt, fundamentally misguided film amounts to a lockdown...
Joseph Owen 1st March 2021
Michael Higgs 1st March 2021
The editorial unit 1st March 2021
Jessica Wall 1st March 2021
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