Mona Fastvold’s The Testament of Ann Lee undertakes the daunting...

Kamara, a new East...

Matthew Barry’s The Guest begins as a quietly offbeat tale of class-crossing camaraderie between the...

Jim Jarmusch returns to estrangement and deadpan tension in...

Olivier Assayas’s adaptation of Giuliano da Empoli’s The...

Despite what its title hints at, Anders Thomas Jensen’s The Last Viking...

The first thing that registers in Guillermo del Toro’s Frankenstein is his...

Paolo Strippoli’s The Holy Boy begins with a comfortably spare premise:...

Damon Albarn and gang blast the roof off the Copper Box arena in Stratford, East...

Valérie Donzelli’s At Work (À pied d’œuvre), adapted from Franck Courtés’s...

Park Chan-wook has never been afraid of taking the mundane and twisting it...

The Marvel Cinematic Universe has always thrived on...

Erotic preferences often exist on the edge of intensity, mixing vulnerability...

China Tang at The Dorchester will...

When it comes to elevating our home décor, bar...

This adaptation of Theo van Gogh’s 2003 film, Interview, is reimagined here by...

At first glance, Jaume Claret Muxart’s Strange River has the makings of a...

There was a time in the late 90s and early 00s when Vice was an...

One of the most industrious directors currently working, Luca Guadagnino...

Food-focused video creators Topjaw will take...

Continuing with her sexually-charged era of music-making, Sabrina...

We’ve been living through a renaissance in Irish popular music, with Inhaler,...

The Ship in Bishops Sutton, near Alresford, officially...

Noah Baumbach leaves no doubt about how he wants us to perceive Jay Kelly. In...