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Arlo Parks’s third studio album, Ambiguous Desire, feels like the cinematic drive home after the club – windows down, thoughts unspooling, and the city...
Arlo Parks’s third studio album, Ambiguous Desire, feels like the cinematic...
It’s been eight years since Swedish alt-pop icon Robyn released a full-length...
Melanie Martinez’s first album in three years, Hades, marks a new era following...
Raye’s inarguable entrance into the contemporary cultural canon...
“Before the bloom, you have to get your hands dirty,” says Maisie Peters, her voice...
It’s now almost two decades since The Seldom Seen Kid catapulted Elbow from being...
Irish-English musician Kate Nash regularly says her thanks during her headline show...
North London’s Tuffnel Park Dome is a squeeze tonight, brimming with dark-clothed fans...
The Magic Numbers are a band who were seemingly swept up in the alternative...
Being a pop artist has never been the most stable of career types, all it...
Sapphire Soul’s launch show at the Hippodrome Casino is a sparkling event. The...
Union Chapel, built in the mid-19th century in a Gothic Revival style, today serves as...
After leaving Fightstar and refusing to be a part of McBusted, Charlie...
Neon Jungle’s debut is the product of an age of distraction, seemingly...
As many bands do, Childhood found their origins at university. But as most bands...
Engineers’ fourth offering Always Returning is a rich, textured record...
Nottingham-bred mother of two Lauren Henson’s profile is growing. As dark electronica...
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