Arlo Parks’s third studio album, Ambiguous Desire, feels like the cinematic...
It’s been eight years since Swedish alt-pop icon Robyn released a full-length...
Melanie Martinez’s first album in three years, Hades, marks a new era following...
Raye’s inarguable entrance into the contemporary cultural canon...
“Before the bloom, you have to get your hands dirty,” says Maisie Peters, her voice...
It’s now almost two decades since The Seldom Seen Kid catapulted Elbow from being...
Irish-English musician Kate Nash regularly says her thanks during her headline show...
North London’s Tuffnel Park Dome is a squeeze tonight, brimming with dark-clothed fans...
The Delines is a brand new super band founded by Richmond Fontaine’s Willy...
At some gigs you know exactly what you’re going to get: whether it’s an aged...
Quartet Teleman’s debut album Breakfast is an indie rock story with 80s synths, lively...
Autoheart’s fizzing blend of sanguine piano, wrenching bass and lilting melodies...
Formed in 1982 in New York, Public Enemy have long been the fierce voice of...
It’s New Zealand sensation Lorde who opens the evening at Earls Court. Her stage...
Dominique Young Unique opened Chromeo’s gig at the Roundhouse last night, and it...
The Polyphonic Spree are a bit of an unusual creature when analysed in...
Americana singer/songwriter John Fullbright got a lot of attention for his debut album, with great reviews and nominations. Now he is back with follow-up Songs, and The Upcoming had the chance to chat with him about it and his life surrounding music. Hi John! Tell us a little bit about you new...
The disco ball on the ceiling sprinkles its light dots over the...

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