As Feste, fool to the countess Olivia and fourth wall buster in chief of...
From director Kelly Ann Stewart, Park Theatre’s Gawain and the...
When you think of the theatre at Christmas, what comes to mind is...
Mischief Theatre and their Cornley Drama Society alter-egos are...
Moor Hall, the three Michelin-starred...
On 13th December, London-based eatery...
Deserving every one of its five stars, action film Jack Reacher is an absolute delight...
Prior to the screening of Turning Point, director Niyi Towolawi came onto the stage and...
The Camden Roundhouse is packed to the rafters with a surprisingly eclectic mix of excited...
It is perhaps fitting that a...
This year’s chosen film to support the...
Last night the HMV Forum in Kentish Town was host to the London leg of...
In the run-up to Christmas, a good panto...
Entering the Mall Galleries, one could not help but notice two glamorous...
Indie rock dwellers Wild Beasts held an exclusive competition in which lucky...
Post Tenebras Lux begins with a young child roaming around a field whilst the sky...
As Feste, fool to the countess Olivia and fourth wall buster in chief of Shakespeare’s immortal farce of identity confusion, Michael Grady-Hall enters in about as extravagant a fashion as one would wish. A cable-bound crooner in a shock of pale face paint, Hall is suspended far above the stage to deliver...




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