As Feste, fool to the countess Olivia and fourth wall buster in chief of...
From director Kelly Ann Stewart, Park Theatre’s Gawain and the...
When you think of the theatre at Christmas, what comes to mind is...
Mischief Theatre and their Cornley Drama Society alter-egos are...
Moor Hall, the three Michelin-starred...
On 13th December, London-based eatery...
When Victor Hugo wrote Les Misérables in 1862, he probably would not have imagined that...
When successful soldier and national hero Macdonald takes up a post...
The Royal Academy’s...
Rebirth, the solo exhibition of New York-based Japanese artist Mariko Mori, is...
Ian Finlay Macleod writes Somersaults with a very personal vendetta against...
It’s Friday night at the Koko in Camden and the atmosphere is...
Richard is a decent, affable young man, part of a fairly affluent group of teenagers...
Friday night, The Nest – in Dalston – became host to the Cellar Door...
Salman Rushdie is one of those authors that Hollywood has kept at arm’s length for...
Trying to make ballet appealing to younger audiences is no easy...
As Feste, fool to the countess Olivia and fourth wall buster in chief of Shakespeare’s immortal farce of identity confusion, Michael Grady-Hall enters in about as extravagant a fashion as one would wish. A cable-bound crooner in a shock of pale face paint, Hall is suspended far above the stage to deliver...




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